pass: radiobutt.blogspot.com
Year: 2003
Label: Asthmatic Kitty
myspace.com/illinoiseispretty
More about the band
Similar artists: Stereolab, Jim O'Rourke, Cass McCombs, The Choir Practice, Elliot Smith
AMG: 4+
"Stevens often plays his Jim O'Rourke and Stereolab cards, riffing along with complex polyphony in building loops and dynamics, but he also frequently imports lightly strummed guitars and stark banjo picking to break up the album and give it a rustic northern folk aesthetic. Stevens comfortably handles nearly every instrument on the album -- an impressive task that includes various keyboards, woodwinds, guitars, and percussions -- but also enlisted the help of Megan, Elin, and Daniel Smith from the Danielson Famile to help out with vocal duties, and the outcome is a haunting and hypnotic studio opus certainly worth getting lost in. "
Pitchfork: 8.5
"The first thing to know about Greetings from Michigan, the third album from Brooklyn-based singer/songwriter Sufjan Stevens, is that its creator was born there. Few albums more clearly evoke their namesake: Towering pines, highways paved through granite walls, great lakes and deep valleys resonate in its gentle piano, muted trumpets, and close-mic'd production-- which is particularly odd, given that Stevens' home city is Detroit. It leads you to wonder how one could craft an album so delicate from an inspiration its author calls a "monstrous concrete prison" which has been "destroyed by its infidelity." Certainly, the album is run through with a wistful melancholia, with lyrics that reference the city's dead machinery and empty warehouses. But there's a reason the album's title greets its listeners from the state and not the city: The record is a beautiful, sprawling homage to the self-described pleasant peninsula."
Year: 2003
Label: Asthmatic Kitty
myspace.com/illinoiseispretty
More about the band
Similar artists: Stereolab, Jim O'Rourke, Cass McCombs, The Choir Practice, Elliot Smith
AMG: 4+
"Stevens often plays his Jim O'Rourke and Stereolab cards, riffing along with complex polyphony in building loops and dynamics, but he also frequently imports lightly strummed guitars and stark banjo picking to break up the album and give it a rustic northern folk aesthetic. Stevens comfortably handles nearly every instrument on the album -- an impressive task that includes various keyboards, woodwinds, guitars, and percussions -- but also enlisted the help of Megan, Elin, and Daniel Smith from the Danielson Famile to help out with vocal duties, and the outcome is a haunting and hypnotic studio opus certainly worth getting lost in. "
Pitchfork: 8.5
"The first thing to know about Greetings from Michigan, the third album from Brooklyn-based singer/songwriter Sufjan Stevens, is that its creator was born there. Few albums more clearly evoke their namesake: Towering pines, highways paved through granite walls, great lakes and deep valleys resonate in its gentle piano, muted trumpets, and close-mic'd production-- which is particularly odd, given that Stevens' home city is Detroit. It leads you to wonder how one could craft an album so delicate from an inspiration its author calls a "monstrous concrete prison" which has been "destroyed by its infidelity." Certainly, the album is run through with a wistful melancholia, with lyrics that reference the city's dead machinery and empty warehouses. But there's a reason the album's title greets its listeners from the state and not the city: The record is a beautiful, sprawling homage to the self-described pleasant peninsula."
2 comments:
just a friendly notice, you've labeled michigan as "rogressive folk" instead of "progressive folk"
thanks for the great post!
Rogressive....progressive...who cares?.....just a word of thanks for sharing this gem...all the very best and thanks once again.
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